Tori Bond’s Familyism: A Review by Ayesha F. Hamid

Family means different things to different people, and Author, Tori Bond, explores the vagarities and variances of family in her debut, flash-fiction collection, Familyism. Whether her stories consist of children spending time in nature and performing plays or townspeople, sitting in a bar and dreaming of a way out, Bond is able to create entire worlds with a sparsity of words. Bond perfectly captures the essence of the mundane as well as the extraordinary; she immerses us in the surreal and magical but keeps us rooted through her skillful exploration of human emotion. The author has the unique ability to make the reader feel deeply; her stories are crafted with care and are guaranteed to fill the reader with wonder. The powerful endings of each story will leave readers mesmerized.

Bond uses her ability to make the reader laugh, but Familyism goes beyond simply being funny; Familyism is equally sad and profound and joyful. While reading, I found that the veins of isolation, loneliness, and the yearning for escape crashing over me like a wave. Characters experience the loneliness of being in the wrong place at the wrong time, and the settings of the stories don’t offer characters an escape – Again, the reader is drawn into a world of powerful emotion. Regardless of the intensity of feeling Familyism elicits, Bond masterfully balances emotion through her well-timed use of narration and humor. 

I highly recommend Familyism; It is not just a book, it is an experience! The book is a quick read, and the stories flow easily. The book will make you laugh, and you will be moved. You will ponder, question, and reminisce. This book could make you laugh out loud, so I don’t recommend reading it in public.

V for Vendetta by Alan Moore – A Review by Ayesha F. Hamid

The reasons that I loved reading V for Vendetta are probably the same reasons that it’s had such wide appeal in the publishing market.  Exploring themes of powerlessness and injustice, this graphic novel tries to offer the reader some resolution, at least in its imaginary world; it makes concrete some of our most deeply-rooted fears.  For example, the fact that certain groups are put into camps makes concrete a danger that is based in reality.  This was a fear that turned into fact for many over the last hundred years;  in the twentieth century, the years sometimes referred to as the “century of genocide,” concentration, death, and work camps had been a historical fact.


Originally published in England in the 80s, V for Vendetta also made real other fears such as those that arose in England when A.I.D.S. became an epidemic. There was an ever increasing panic about the virus, which fueled intolerance and blame.  It was in this climate that V for Vendetta was released and gave the reader some vindication from a troubling world.

Another reason for the appeal of V for Vendetta is its general comments on and questions about humanity.  Similar to great works of literature, V for Vendetta addresses questions such as: what are the things that can make us lose our integrity, how far will we go to get and maintain power, what will we do when we see our brothers and sisters in humanity suffering, how far will we go to pursue justice, how does power corrupt, and how are the powerful shielded from the laws that apply to the rest of us?

The novel’s exploration of integrity was the aspect of the novel that moved me the most.  Is there really a part of us that cannot be compromised, in the face of any possibility? Evey, another central character in the book, reads a note, in her jail cell, which forever changes her view on integrity and the way she sees life.  After this point, she will face death instead of losing her integrity.  As she reads, so also do we read:

“I shall die here.  Every inch of me shall perish.  Except one.  An inch.  It’s small and it’s fragile and it’s the only thing in the world that’s worth having.  We must never lose it, or sell it, or give it away.  We must never let them take it from us” (Alan Moore, V for Vendetta, 159-160).

So, even if you have seen V for Vendetta, the major-motion picture released by Warner Brothers a few years back, I would definitely recommend reading the graphic novel because it explores, in greater depth, significant questions that continue to be part of the human condition.  It will make you question the world around you and your own place in it.

Feig by Richard Bank – A Review by Ayesha F. Hamid

Disasters and calamities, whether they are natural or man-made, create chaos and confusion.  After experiencing or witnessing such disasters, the human response is to question how such events could take place. Those that once believed in an omnipotent God can come to believe that we live in a universe devoid of God, or one in which God does not care about humanity. The Holocaust was just such an event where the mass murder of millions was done with cold calculation, efficiency, and automation.  Richard D. Bank’s novel, Feig, explores the lives of characters who were irrevocably changed by the Holocaust, either by experiencing it first hand or by growing up in homes where survivors: kept secrets, broke down privately, and shielded others from the horrors that they had experienced.

In the beginning of this novel, Philadelphia attorney David Gold meets Jacob Feig, a Holocaust Survivor, and a short time after their first meeting, Feig is accused of his wife’s murder.  David decides to defend Feig, and when he is forced to learn about Feig’s past, he has no choice but to face his own.  For David, learning more about Feig will change his life in profound ways, altering the way he sees the past and the way he lives his future.

Bank seamlessly weaves the stories of David Gold, his family’s past, and the life and trial of Jacob Feig into one novel, so that the reader experiences the interplay of three independent and compelling narratives. Reading Feig, one becomes thoroughly engrossed, so that every recollection, movement, or action becomes consequential, and through this story, the reader comes to remember the true meaning of friendship. The friendships, which form in the story, are not friendships of convenience or exigency.  Rather, they are bonds that show the existence of something more profound, perhaps the existence of the human soul, which stirs even in the middle of madness.

This novel enlightens, reminding the reader that even in the midst of the worst tragedies, humanity can transcend, finding in others the strength that is needed to go on.  It is a story which poignantly explores the bonds of family and friendship.  Feig is revelatory, showing the reader:  that everything is connected, that we belong to a larger family, and that sometimes friends can take monumental roles in our lives, placing them squarely within our family, the human family.

A.S. Byatt’s Possession – A Review by Ayesha F. Hamid

Possession is intriguing from the first line, and the title is apt because reading it will have you so enthralled that you will be “possessed,” by it.  It is a must read for writers because the book gives great examples of: complex plot structure, use of descriptive vocabulary and masterful syntax, and a way to keep the reader intrigued until the very last line.

Thus, in terms of the plot, there’s not just one story in this book; that would be too simple for such a complex work of historical fiction.  Rather, the novel is a story, within a story, which are both part of a larger story.  Presenting such a plot is not an easy task to accomplish, but the writer makes sure that all parts of the story fit together seamlessly.

Placing the reader into two completely separate worlds, the author immerses us into Victorian as well as contemporary England; Byatt situates us in the contemporary, academic world, a world of dissertations, professors, libraries, and research, as well as a past where Victorian poets thrived in their artistic communities.

The story begins with a discovery.  Roland Michell, a research assistant, stumbles onto writing that seems to have been tucked inside a library book by none other than well-known Victorian poet, Randolph Henry Ash.  Roland keeps this discovery a secret because figuring out how the new information fits into the existing scholarship could revolutionize the way the world sees Randolph Henry Ash.  Revealing the secret; however, would mean that Roland would quickly be dismissed from pursuing the work further.  Also, he would not be credited with making the discovery in the first place.  Nevertheless, he enlists the help of Maud Bailey, an expert on the subject of Victorian poets.  Both characters simply want to learn the truth and, unlike others, do not care about the fame that may come with it.  What they learn does revolutionize the way the world looks at Victorian poetry, as well as Randolph Henry Ash.

Crafting an incomparable work, Byatt ends Possession by showing us that we can miss right what is in front of us.  Readers of Possession, as well as the Victorian-age and contemporary characters in the story will all miss what is right in front of them.  What is missed is what will stay with the reader, and this is one of the reasons that Byatt’s work is a literary one.  Possession teaches as well as transforms the reader.

Furthermore, not only does the writer place us precisely in a setting where players yearn for knowledge and academic achievement, but she also makes us into one of the component players. Every chapter starts with an insightful poem, an observation, or quotation that the reader (student) can consider.

So, the reader is pulled into a world of clues, literary hypotheses, and secrets, and while considering the book, the reader needs to make meaning of the complex and well-crafted language.  Throughout the book, Byatt’s language is detailed, descriptive, and dense, and this language helps the reader to be immersed into the Victorian, as well as academic world.  The reader is brought into the puzzle as line upon expertly written line takes him or her deeper into the story.  The author isn’t using gimmicks here.  Rather, we are dealing with an extremely well-thought-out piece of literature.

After reading this book, I understood exactly why it was the recipient of the Booker Literary Prize in 1991.  The book offers the reader at least four, well-crafted, major subplots within the larger plot.  Also, Possession cannot be read passively because the author makes the reader an active participant in the book; the author involves the reader.  This book makes a promise that not all books can:  The reader will be challenged and changed by this book.  For this reason, among others, Possession is an extremely valuable read for writers, as well as those who love literature.  The intellect of the dedicated writer, and even the occasional reader, will benefit from exploring this book.